Past Exibition

Stratifications

Group exhibition, curated by Daniele Capra.
Giancarlo Dell´Antonia, Igor Eskinja, Florence Girardeau,
Bruno Kladar and Marie Lelouche.
June 5th − July 25th 2010

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[What]
This exposition was born from a reflection on the concept of stratification. We hope to bring together the work of five differing international artists who all think and operate by superposition, both in the visual and conceptual sphere. We are invited by the plurality of their work to take a look at the elements of analogy and diversity.

[Why]
The world is a sandwich. Life is characterized by juxtapositions on various levels of moments, visions, desires, frustrations, places, and people. On our computer screen windows are open simultaneously; our work constructs itself by stratification. Versatile, we are used to performing several tasks at once and carrying out different lines of thought without implicating their combination or their exclusion. Managing this complexity is the daily bread of the postmodern man. Stratification is fueled by accumulation and sedimentation, quite like how our hard drives are loaded with data. The depositing of images and objects, be it perpetual and inexorable, allows us at regular intervals to confront an inadvertently forgotten past or a future that is yet to be defined. Stratification seems to show its double-sidedness, posed between the instantaneous flow of fate and the accumulation of a world we cannot ignore.

Marie Denis
solo exhibition, Les Curiosités,
March 20th − May 22th 2010

Example content image: right-align Avec le soutien du :
Centre national des arts plastiques (aide à la première exposition),
ministère de la Culture et de la Communication.

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The KernotArt Gallery is pleased to present the new personal exhibition by Maris Denis, made possible by the support of the Centre national des arts plastiques, ministry of Culture and Communication of France. This French artist, whose work consists mainly of sculptures and installations, has a predilection for the natural world, which she wields, manipulates, and transforms in various ways, depending down which path her work may take her.


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Maria Rebecca Ballestra
solo exhibition,The Future is Near. The Future is Now!,
January 9th − March 4th 2010

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The exhibition The Future is Near. The Future is Now! is made up of 8 works/installations inspired by perceptions of the future in relation to climatic changes and Man´s interventions in nature.
Using different means, such as video, sound, photography and sculpture the exhibition intends to investigate the sense of precariousness and insecurity which pervades the collective perception of our near future. Alternating visions of differing realities: visions of a post−human epoch in which nature reclaims the metropolis, are placed alongside cities devastated by cataclysms: the precariousness of food resources alongside the advance of pandemics. Each work describes a subtle balance between folly and self−destruction, inviting deep reflection on the destiny of our species: every image demands an examination of the very concept of humanity and its future.

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Gayle Chong Kwan
solo exhibition,The Grand Tour

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Meat, ham, chocolate nourish us but they could be also the fundamental subjects to explain a mythical view of our Era. The personal and global politics of food and tourism have been a major focus of Gayle Chong Kwan´s works. She is a Scottish−Chinese Mauritian artist based in London. Her work is often specific to a context and explores histories, memory and the senses. The artist´s practice features elements of photography, video, installation and performance. Kwan´s pieces take the viewer on a journey across countries and civilizations, exploring the relationship between food, culture, and what it means to take from the earth. She has created many mythical landscape from distributing arrangements foods, like one of the most her famous photos the Tower of Babel made from sweating meat. Food enters the landscape as Chong Kwan´s metaphor for mastery, a kind of satire on those consumers of art, food, language and culture who imagined that they had digested entire worlds. She also working with plastic material as in the "Atlantis series", is an enormous mythical landscape, a city created and carved out of semi−opaque, used, plastic food packaging, collected from people who live in London. It is referred to a lost city but it´s also a critical observation of waste and climate change in our present life. Gayle Chong Kwan is now one of the most representative young artist in UK, she has the Arts Council England individual artist´s award, grant by Arts Council England, and she has set up many solo and group exhibitions, that confirmed her talent.

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6 artistes se livre(nt):
Gayle Chong Kwan
Marie Denis
FranÇois de Gourcez
Rossy de Palma
Michelangelo Penso
Emmanuel Régent

une carte blanche à Adrien Pasternak
Opening reception, September 12th, from 6 p.m.
Exhibition from September 15th, until October
31st, 2009

6 European creators stemming from different artistic universes (contemporary art, literature, cinema and fashion) deliver us their respective vision through their perception of the book. Any artistic approach arouses a different point of views. The artists play with this theme evoking the book without showing it necessarily as object....

Communiqué de presse (download PDF)

Présentation de l´exposition (download PDF)



Argentinelee

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"Modul´homme"

The Korean artist Agertinelee works with interactive video, sound, installations and performances. She often uses video installations with special effects, avant−garde music, original sounds, and video. For her first personal exhibition at KernotArt Gallery the artist makes an inedited series of photos and drawings which go forward and developing her reflection about the interaction of human identity and all the future innovations. The exhibition Modul´Homme analyzes the relation between the human beings and the machine, through a digital transformation of the images. The process brings the observer to reflect upon new technologies, especially the artificial intelligence. All 3D animation programs are based on geometric shapes such as the cube, cylinder, sphere and cone. Argetinelee fills these primary forms with human bodies, in order to show the mankind in a virtual and hyper realistic space, that can´t represent all the infinitive variables of the human being. In this era all people are totally connected to the world by technology, which provides a strange condition of life. The mankind in this artificial situation becomes the only unusual component in the digital space. The result is a question: is there an ideal technology environment where people can live fully without any alterations of their identity? ...More

...French version

Communiqué de presse (download PDF)

Portfolio (download PDF)

www.argentinelee.free.fr